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Intertextuality as internal adaptation in Ann-Marie MacDonald's Goodnight Desdemona (Good morning Juliet), Robert Lepage's Le Confessionnal, and Atom Egoyan's The Sweet Hereafter
(Université de Sherbrooke, 1999)
With the analysis of three intertextual works, this thesis presents a new concept of intertextuality in the arena of Comparative Canadian Literature. The inner workings of the intertextual work are examined as the internal ...